Review of Morir dos veces by Susana Rodríguez Lezaun
From the moment I heard about Morir dos veces, the intriguing twist of identity caught my attention. Susana Rodríguez Lezaun’s ability to traverse genres is commendable, and I couldn’t help but feel excited to dive into this latest thriller. There’s an incredible energy about her writing that makes me believe she could excel at nearly anything—perhaps even singing or painting, as the song from La Oreja de Van Gogh suggests. But, for now, let’s celebrate her prowess in creating a mesmerizing narrative.
At the heart of this compelling story is Soleil, a woman who initially leads a conventionally unhappy life, stifled under the controlling influence of her husband, Eric, and her mother-in-law. Just when you think you know her, tragedy strikes as a flood takes her life away—only to give birth to Moon. This transformation is profoundly symbolic, representing not just a physical escape but an emotional rebirth. As Moon, she blossoms into a private detective in Paris, actively engaging with her past. Yet, as the narrative unfolds, it becomes clear that this second chance comes with its own set of complications, particularly when vengeance enters the mix.
What truly resonates in Morir dos veces is the seamless exploration of identity and redemption. Lezaun’s writing pulses with a frantic energy, each chapter a rollercoaster that leaves the reader yearning for more. The clarity of her prose—stripped of unnecessary ornamentation—contributes to a visceral reading experience that enhances the ever-present tension. I found myself riveted, flipping pages as if propelled by an unseen force, eager to find out what would happen next.
The character of Moon is particularly striking; she embodies strength and resolve, yet remains grounded by a past riddled with pain and complexity. This layered portrayal adds emotional depth to the narrative, making her journey of self-discovery incredibly relatable. I often found myself reflecting on the contrast between her former self and the fierce woman she becomes. Meanwhile, Eric, initially a villain in the story, unfolds into a more complex character—reminding us that human beings carry shadows and light within.
One of my favorite moments in the book is when Moon contemplates her transformation: “Is it possible to truly leave our past behind, or does it follow us like a shadow?” This thought-provoking line encapsulates the essence of the entire narrative, pushing readers to reflect on their own lives.
As I closed the book, I realized that Morir dos veces is not merely an adrenaline-fueled thriller; it’s an exploration of second chances and the lengths we go to reclaim our identities. I wholeheartedly recommend this book to anyone who enjoys a fast-paced story that is both entertaining and reflective—especially those who have ever pondered their own journeys of self-discovery.
In short, Susana Rodríguez Lezaun has crafted a brilliant tapestry of suspense and emotional resonance. Morir dos veces is a gripping reminder of the complexities of the human spirit, sure to linger in your thoughts long after you’ve turned the last page.